Showing posts with label Details. Show all posts
Showing posts with label Details. Show all posts

Friday, July 10, 2015

Mirror Clock Project Part 8 - The Mirror

Nothing beats the real thing, and rather than try to recreate an antique mirror, I was able to find one through an antiques restorer friend. The mirror he gave me had a fairly severe scratch across it on one side, but the size I needed would avoid this scratch completely. One other problem with the mirror was that it had several blobs of hot glue on the back.





Removing the glue was a trial and error method, and the first two methods failed. The first scratched the silvering, while the second pulled all of it off:



I eventually was able to remove all the glue using a mix of heat and a mild scrubbing in lacquer thinner. Once the glue was gone, I was able to cut the mirror to size and fit it onto the door. I used 12 small wood strips with a tiny nail in each.





The "inside back" wood panel was attached with small square nails. Some of these panels are fixed with the beveled edge facing out, while others have it facing in. This side of the wood was nicer, and my bevels were rather rough, so I chose to have the bevels inside. The clearances on this were tight, and this is probably why most of these doors are 3/4" thick rather than 5/8".



A few other small details that I did not show are the two rear bolts that hold the movement in place. Most are held in place with a single centre bolt, and a few small square nails on the interior to keep the movement from shifting, but I wanted a very secure fit since the weight is so heavy.



I don't remember if I had shown the pivot hole divots in the backboard, but I also adjusted the colour of the wooden dial blocks.



Aside from making a custom label, the clock is now finished and running nicely. Final photos will be shown in the next post.

Sunday, March 22, 2015

Angels Comtoise - Part 2 (Repairs)

As you can see from the "before" photos in the previous post, the clock needed some attention. The case panels and frame needed refinishing, the movement desperately needed cleaning, and there were several bent levers. I also noticed that the clock was not striking properly. Someone in the past had modified the main strike lever. I'll go into more detail farther down.

As I said earlier, the first thing I did was clean the enamel dial. I also discovered that this dial has never been taken apart. The brass front has the original crimping around the edges, and retains the original brass rivets that hold it together. I would have liked to repaint the steel plate, but it was not worth the effort, or the risk of damage, so the dial was kept in its current condition.



Here you can see two of the rivets. One holds the porcelain dial, and the other holds the thin brass decoration. You can also see that this corner has a broken dial foot (tab).



This dial foot is still in place.



I will often say "this was one of the filthiest clocks I've worked on" but this time, I mean it. This was the ammonia cleaning solution after cleaning the wheels.



The wheels needed LOTS of scrubbing, longer soaking time, and an additional rinse in lacquer thinner to remove all of the black tar-like residue. I don't really know what was used on this clock, but the parts did have a roofing tar smell to them while I was drying them. Below you can see the cleaned and buffed (with #0000 steel wool) parts, with all the bent and damaged levers straightened.



One of the fun discoveries on this clock is that it was made as part of a batch, and this one was punched as "number 5" with either 5 dots, or 5 small notches (on bridge pieces and the main frame). Not all the parts were marked, but all of the large ones including the pillars and frame were marked.



Stripping the old paint from the frame and panels.



Before stripping. Note that the bell post ring/base/washer piece is actually brass. It looks black, but you can see just a tiny ring of gold on it.



One detail that I neglected to show on the previous comtoise was this brass bushing in the centre pillar (for the motion works). Most restorers simply repaint the entire frame, but since I consider this a "working section" of the clock, I chose to mask it so it wouldn't be painted.



The simplest way to mask this is with a small ball of blue wall tack. The same was done for the vertical hammer post bushing in the top plate.



New paint. I used gloss black oil spray paint for this. 2 coats on each side, with 24 hrs to dry in between.



This shows the unpainted centre bushing after painting. (Note that the hole has not been pegged out and cleaned yet)



Fan/Fly Wheel Repair:

The fly wheel on this clock had a serious problem. This later design (this clock is likely after 1860) uses a brass tension spring that is held in place with a collar. While this arrangement is quite pretty, and works fine originally, it makes it impossible to disassemble the fan from the arbour for cleaning or repairs. In my particular case, the tension spring (which is brass) had weakened in the centre, and it was beginning to crack. This meant that it was impossible to hold any tension on the fan.





While I generally never like to modify anything in a clock from its original state, in this case I chose to alter the fan design in favour of the older style spiral tension spring. This was an easy and reversible repair, and with this style, the fan can easily be taken apart, or re-converted if desired.



Detent Lever Repair:

This was a fairly complicated, or "advanced" repair. It is not necessarily a very difficult repair, but it is probably not one for a beginner.

The problem was with this lever:







When I originally looked-over and checked the clock after unpacking it, I noticed this botched lever, and as expected, the clock did not strike properly. It would ring the hour once, then do nothing on the half hour. For some reason, this lever had been ground and filed, and it no longer had its original shape. With the rest of the clock restored, and all the other levers straightened and repaired, this lever was in no way functional with the pins and stops that it is meant to interact with.

This lever controls all the strike sequences of the clock, including the half hour strike, the hour strike, and the repeated hour strike. To figure out exactly how it was meant to be shaped, I carefully studied my working comtoise clock, and I will attempt to explain as much as possible how the repair was done.

The first step in the repair was to replace the missing steel. For this repair I used soft welding steel (easily obtainable at most hardware stores). The rough existing lever notch was then filed into a nice rectangle to accept the new steel. It's important to have a nice clean joint. The steel was soldered with silver solder. For simplicity, it was easier for me to solder the entire steel bar to the lever and cut off the excess afterwards, since holding and heating a tiny little repair piece would have been awkward and difficult.



The bar was sawn off, and most of the excess steel was then ground away with a grinder, and coarse files.





Now that I had a nice new "blank" to work with, the lever needed to be ground to length. To do this, I had all the strike train assembled, along with the minute wheel, and with the detent set up before the first hour strike (all the way out), the lever needed to be JUST long enough to drop off the "rack/stop lever pin" (I am not sure of the proper name for this lever). If the lever (the one we're working on) is too short, the half hour may not strike correctly. In my case, the lever was a bit long, so I was able to grind the end slightly for an exact fit. If it had not been long enough, a solution would have been to bend the L shaped arm (the one on the detent that carries this lever) inwards slightly (towards the wheel).

Here is position 1, right before the main hour strike, where the flag is just long enough to drop off the "rack/stop lever pin".



The corner notch is the trickiest portion of the lever to get right. Start small, and enlarge it slowly. The lever will need to be taken on and off numerous times, but luckily it is simply held in place with a screw, and it can easily be taken off without taking anything else apart. The notch needs to be wide enough (to the left) to catch the "rack/stop lever pin" AFTER it locks on the stop pin of the third wheel (just behind it). You can see that I made my notch a bit too deep (top to bottom) but it still works nicely.

Position 2, just after the main hour strike, and before the repeated hour.



After the repeated hour, the detent and lever will be in this final third position.



As the minute wheel advances towards the half hour, the lever will drop down the steps and back into "Position 4" (same as Position 1). The only difference is that the notch in the minute wheel only lets the detent fall far enough to nudge the "rack/stop lever pin" and allow it to do one rotation for a single strike.



Here is the completed lever after final filing, sanding, and polishing. It's not perfect, but it's a pretty successful repair, and I'm very happy with it. I'll just add a quick note here that some of the older levers have a "tail" at the top corner, which is simply decorative. I have no idea if this one had one originally, but most of the later movements were simply shaped in this notched flag form.





The clock is now mechanically functional, but I still need to strip paint off the hammer and bell stand (I had not noticed the paint), and then I will need to buy weight cords, hooks, etc. I should be able to post photos of the completed clock soon.

Saturday, January 11, 2014

Very Rare Seth Thomas 8 Day Column Clock - Restoration Notes

Restoration Notes

One of the best things to do when undertaking any restoration, is RESEARCH. Researching is one of the most important things you can do if you want to be able to successfully restore a clock or any other type of antique item. Find similar examples, look through books, and equip yourself with as much information as you can find. I've had this clock for several years, and I've stockpiled dozens of photos in order to help with my restoration.

For those who are more familiar with Seth Thomas clocks, you may instantly recognize this particular clock case as one designed after the 30 hour "column type #1", of which you can see a few examples below. Several Seth Thomas clocks were made with columns, and there are 3 similar "styles" which are outlined here: http://clockhistory.com/sethThomas/products/30HourBrassWeight/

This first clock is in pristine condition, and has an early hand-painted tablet.



This particular clock has incorrect hands, but is otherwise in nice original condition.





While these column clocks are beautiful, they are quite easy to find, and I have seen probably over 100 in the past 5+ years. Since acquiring this particular 8 day version, however, I have NEVER come across another like it.

The key difference with my clock, is the overall size. The case is much taller, and the elements are sized-up to suit, including larger columns, column base/top blocks, and wider mouldings. The main difference, however, is visible in the size of the lower door glass.



I find it unusual that the company would have made efforts to design this larger version, but not made more of them widely available. Patterns and detailed drawings would have needed to be made, and I'm still wondering whether or not this clock is a unique piece.

In my research regarding the James Brice over-pasted label, I was able to find this New York 4 column clock. What's particularly interesting about this clock is that it has the same style of early dial, which has a single outer ring around the minute circle, dots for minutes, and tapered numerals 3,4,7,& 8. I'm not sure who manufactured this particular clock, since there were no images of the movement. It appears as though Mr. Brice was simply a retailer.

It would be interesting to know more about this clock. The label is a good clue, but I don't immediately recognize the border. These 4 column clocks were made by several companies, including Seth Thomas, Ansonia, William S. Johnson, Sperry and Shaw, F. C. Andrews, and others. The label does not match Ansonia or W.S.J. labels of the period. The label also doesn't seem like a match to Seth Thomas, but the dial does.





Regarding the details of the dial, you can visit the link posted above, and see the dial section. On that page, you will note that the early Seth Thomas dials with tapered numerals have a double ring around the outside minute circle, and the later dials with single lines do not have the tapered numerals. My dial seems to fall between the 1842-43 style, and the 1850-55 style. It is currently of an unknown date.

The label as well as the movement indicate a Plymouth Hollow clock, therefore the clock was definitely made between 1842 and 1865. Based on the earlier design of the label, I would lean towards late 1840s, and early 1850s.

Based on other similar clocks (having the same labels and similar dials) the clock would have had a hand painted/stencilled Fenn type tablet.

Here are a few good examples of early Seth Thomas stencilled tablets. I particularly like the design on this ogee clock, and I may decide to use it as a pattern for my clock.







These two are from 30 hour column clocks (as above):





These two are from 30 hour ogee clocks:





The list of repairs needed for the clock are as follows:

- Disassemble the case.
- Scrape and remove new carpenter's glue.
- Reassemble the case using hide glue.
- Replace missing veneer.
- Repair label fragments.
- Reglue door frame.
- Veneer top cornice (which I had previously fabricated several years ago).
- Stain, colour match, and shellac new repairs.
- Paint new reproduction stencilled tablet.
- Touch-up dial.
- Repair movement.

Thursday, February 28, 2013

Longcase (Movement Photos)

Here are a few photos of the movement from the Allan longcase. As you can see, it hasn't been in working condition for quite some time. It has numerous breaks and a few repairs.

The arrows point out a replaced (ugly but functional) count hook, a poor solder repair to the rack, and the horribly bent calendar wheel (on its bent post).



Here you can see an unusual choice for a gut-line end stop (the other one is a bone-shaped wooden block), and the broken section of the seat board.



The cracked end of the bell stand.



Side view:



And I have to point out the stunningly beautiful click springs. I've seen a handful of longcase movements, and they are almost never this fancy. Often they will be a simple shallow curve, or a plain rectangle.



Here is the seatboard with the movement removed.



And while it was in the clamp to reattach the broken section. Note the candle wax drippings (which could be up to 100 years old). The perfectionist in me wants to scrape those off and clean the board, but it's just SO NEAT that I'm leaving them there.